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Music of the Gothic Era (FLAC) - (2002)



Music of the Gothic Era (FLAC) - (2002)

Music of the Gothic Era (FLAC) - (2002)
EAC Rip | Flac(image) - cue - log | 651 MB | 2 CD | Full Scans
Genre: Classical


This recording remains a classic, even if (as Daniel Leech-Wilkinson points out in his accompanying notes) some of Munrow's performance practices may be disputed today. This is, quite simply, a wonderful performance and a terrific sounding recording (even after nearly 30 years)--and a wonderful way to develop an ear for the music of the 13th and 14th centuries.

Tracklisting:

# Magnus Liber Organi (attrib.) Viderunt omnes (Organa 2 vocum)
Composed by Leonin
with James Bowman, London Early Music Consort

# Magnus Liber Organi (attrib.) Alleluya Pascha nostrum (Organa 2 vocum)
Composed by Leonin
with Martyn Hill, London Early Music Consort

# Magnus Liber Organi (attrib.) Gaude Maria Virgo (Organa 2 vocum)
Composed by Leonin
with Paul Elliott, London Early Music Consort

# Magnus Liber Organi (attrib.) Locus iste (Organa 2 vocum)
Composed by Leonin
with London Early Music Consort, Charles Brett

# Viderunt omnes, organum for 4 voices
Composed by Perotin
with Martyn Hill, Paul Elliott, Rogers Covey-Crump, London Early Music Consort

# Sederunt principes, organum for 4 voices
Composed by Perotin
with London Early Music Consort

# Alle, psallite cum luya
Composed by Anonymous
with Martyn Hill, London Early Music Consort, John Potter, Geoffrey Shaw

# Amor Potest, motet
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# S'On Me Regarde, motet
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# In mari miserie, motet
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# On parole (Some talk)
Composed by Anonymous
with James Bowman, London Early Music Consort, Charles Brett, Geoffrey Shaw

# En mai, quant rosier sont flouri, motet for 3 voices (13th cent.)
Composed by French Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# Dominator Domine, motet for 3 voices (13th cent.)
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# El Mois de mai
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# O Mitissima
Composed by Anonymous
with James Bowman, London Early Music Consort, Charles Brett, Geoffrey Shaw

# Hoquetus 1-7, for 3 voices
Composed by Anonymous
with London Early Music Consort

# Aucun Ont Trouve
Composed by Petrus de Cruce
with Martyn Hill, London Early Music Consort, Charles Brett

# De ma dame vient, motet for 3 voices
Composed by Adam de la Halle
with Martyn Hill, Paul Elliott, London Early Music Consort

# J'os bien a m'amie parler, motet for 3 voices
Composed by Adam de la Halle
with James Bowman, London Early Music Consort, Charles Brett

# La Mesnie fauveline, motet
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# Quant je le voi
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, John Potter

# Zelus familie, motet for 3 voices
Composed by 14th Century Polyphony Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# Quasi non ministerium, motet for 4 voices
Composed by 14th Century Polyphony Anonymous
with James Bowman, London Early Music Consort, Charles Brett, David James

# Imprudentor circumivi/Virtutibus/Contratenor/Tenor, motet
Composed by Philippe de Vitry
with James Bowman, London Early Music Consort, Charles Brett

# Cum statua/Hugo/Magister invidie, motet
Composed by Philippe de Vitry
with James Bowman, London Early Music Consort, Charles Brett

# Pantheon abluitur
Composed by Bernard de Cluny
with James Bowman, London Early Music Consort, Charles Brett, Geoffrey Shaw

# Clap, Par un Matin, motet
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# Ida capillorum, motet for 4 voices
Composed by Henri Gilles de Pusieux
with James Bowman, London Early Music Consort, Charles Brett

# Rachel plorat filios
Composed by Henri Gilles de Pusieux
with Martyn Hill, Paul Elliott, London Early Music Consort

# LÚs l'ormel a la truelle, motet for 3 voices
Composed by Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# O Philippe, Franci qui generis, motet for 3 voices
Composed by 14th Century Polyphony Anonymous
with James Bowman, London Early Music Consort, Charles Brett

# Febus mundo oriens, motet
Composed by Anonymous
with Martyn Hill, James Bowman, London Early Music Consort, Charles Brett

# Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris?, motet for 3 voices
Composed by Guillaume de Machaut
with Martyn Hill, Paul Elliott, London Early Music Consort, Geoffrey Shaw

# Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet, motet for 3 voices
Composed by Guillaume de Machaut
with James Bowman, London Early Music Consort, Charles Brett

# Hoquetus David, double hocket for 3 voices
Composed by Guillaume de Machaut
with London Early Music Consort

# Christe que lux es/Veni Creator Spiritus/Tribulatio proxima est, motet for 4 voices
Composed by Guillaume de Machaut
with James Bowman, London Early Music Consort, Charles Brett

# Degentis Vita/Cum vix artidici/Vera pucidita, motet
Composed by Codex Chantilly Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# Inter densas deserti meditans/Imbribus irriguis/Admirabilem est, motet
Composed by Codex Chantilly Anonymous
with Martyn Hill, Paul Elliott, London Early Music Consort

# Rex Karole, Johannis Genite
Composed by Philipee Royllart
with James Bowman, London Early Music Consort, Charles Brett

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