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Stan Winston School - How to Sculpt a Portrait with David Fandino

Stan Winston School - How to Sculpt a Portrait with David Fandino

Stan Winston School - How to Sculpt a Portrait with David Fandino
English | Audio: aac, 44100 Hz, stereo (eng)
MP4 | Video: h264, yuv420p, 640x360, 24.00 fps(r) (eng) | 1.12 GB
Genre: Video Training

Whether itís a photograph, drawing, or painting, a portrait usually exists in two dimensions. Some artists want to push beyond these boundaries. For those looking to venture into that third dimension, the art of portrait sculpture is waiting for you.

Follow renowned artist and sculptor, Davis Fandino, as he guides you through the art of portrait sculpture, using the patron himself, Stan Winston, as his subject. From starting with creating a basic armature to processing the final mold, every single step of the entire process is laid out in full detail.

Lesson Highlights:

Building and using the correct armature
Roughing in the primary forms
Using tools to progress into secondary forms
Using both heat guns and cooling spray
Creating and using a block mold


Materials & Prepping the Workspace - 00:00:39
Tools - 00:01:48
Building the Armature - 00:05:26
Roughing out the Sculpture - 00:09:27
Facial Geometry - 00:23:42
Roughing in the Features - 00:25:43
Basic Structures - 00:35:58
Eyes - Light & Shadow - 00:42:08
Cheeks - Nailing the Expression - 00:46:04
Eyelids & Eyes - 00:48:49
Refining the Forms - 00:57:26
Refinement of the Cranium Shape & Hair - 01:00:26
Further Refinement of Secondary Forms - 01:08:06
Detail Refinement - Eyes - 01:15:37
Sculpt - Day 2 a Personality Emerges - 01:25:08
Relying on Your Reference - 01:35:12
Hands vs. Tools - 01:39:33
Posing the Head - 01:43:06
Roughing Out Clothing - 01:47:24
The Benefits of Tool Marks - 01:56:37
Eye Refinement - 01:59:16
Sculpting Hair - 02:04:20
Ear Refinement - 02:13:06
Flame & Cold Air to Tighten Forms - 02:19:34
Refining the Other Ear - 02:21:43
Critiques in Accuracy - 02:30:07
Recap Off-Camera Refinement & Prep for Detail - 02:31:09
Unifying the Surface Detail - 02:32:30
Hair - Fine Detailing - 02:36:16
Eyes - Fine Detailing - 02:41:41
Carving in the Pupil - 02:44:04
The Mini Torch - 02:49:17
Hair and Beard Further Detail Refinement - 02:50:37
Deliberate Tool Markings Bring Focus to the Face - 02:58:01
Wrinkles, Worry Lines & Facial Detail - 03:03:30
Finishing - 03:08:51
Last Words on Finessing the Sculpt - 03:10:57
The Block Mold - 03:12:01
Sealing - 03:13:11
The Mold Wall Box & Base - 03:15:18
Mixing Silicone - 03:23:43
The Evacuator - 03:33:05
Pouring Silicone - 03:35:36
De-molding - 03:38:57
Cleaning the Mold - 03:52:56
Pouring the Polyurethane Resin - 03:55:09
The Finished Mold - 04:06:42
The Foundry - 04:10:36
The Bronze Casting Process - 04:12:48

About the Author
Davis discovered his calling as a sculptor as a teen while watching a biography of Michelangelo. Later, finding a lack of appropriate training in art school he dropped out and began apprenticing in art studios where he received traditional and classical training at the foundries and studios of stone carvers and sculptors.

Davis has been working as a professional sculptor in the film industry for almost a decade and has been involved in the creation of special effects for some of Hollywood s blockbuster films including Spiderman 2, X-Men Origins, and Alien VS. Predator. He has also played a significant role in the fabrication of major international art exhibits.

Especially passionate about stone carving, Davis spent a year working in the stone carving studios of Carrara, Italy, a city notable for the white or blue-grey marble quarried there, some of which was used by Michelangelo for his renowned sculpture, David. Davis describes his life as an artist so far as a search for the wisdom and virtuosity needed to portray the beauty and truth of the human form.


Stan Winston School - How to Sculpt a Portrait with David Fandino

Stan Winston School - How to Sculpt a Portrait with David Fandino




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